FANDANGO is as much a spiritual renewal as it is a reinterpretation of some of the best soul, blues, gospel, and Americana music ever written. With a loyal flock of followers (the flock that rock) to their weekly Wednesday night residency at TOAD in Cambridge, FANDANGO fuels frontman Fred Griffeth to lead this congregation into soul and R&B righteousness! For he is like a refiner of fire and he shall purify!
“Ask not for whom the Fandan goes. It goes for thee. On Wednesday donchaknow.” –
Over the course of his career, Big Ben Hillman has shared the stage with a host of diverse and well known musicians including hip hop stars Method Man and Ghostface Killa from the Wu Tang Clan, De La Soul, Biz Markie, Digable Planets and Mix Master Mike of The Beasty Boys. He has also been seen performing
Big Ben Hillman is quite the smooth retro funkster…. The production is excellent on all levels, keeping the listener in a comfortable, easy-flowing harmonic place. Ben never falters – his compositions and production show signs of a master at work enjoying his craft. I’m just going to think of Big Ben Hillman as the new Barry White on the opposite end of the vocal spectrum. – T Max, The Noise
Songwriter Misha on a journey of songs and stories meets some funky cats. Together they channel luscious, melancholic, cozy alternative music. Heavenly chorus, funky rhythms, fierce guitar and some smooth trumpet. All a part of the ArtHouse sound.
Bees Deluxe is a full-tilt,
Their unique repertoire includes originals and re-interpreted 60s, 70s, and 80s covers from Billie Holiday, Miles Davis, Joe Zawinul, Charles Mingus, B.B. King, Kenny Burrell, Freddie King, Herbie Hancock, Albert King, Etta James, Muddy Waters, The Meters, Little Feat, Ray Charles, Jimi Hendrix, Roy Buchanan, Curtis Mayfield, The Butterfield Blues Band, Derek Trucks, Donny Hathaway, Amy Winehouse, Steely Dan, Etta James, ZZ Top, Robben Ford, Bonnie Raitt, Bobby ‘Blue’ Bland, SoulLive, Derek and the Dominoes, Robert Cray, Edgar Winter, among many others. Taking the road less traveled, they discover and share off-the-beaten songs and instrumentals and fuse them into their own original works. They dare to be risk-takers on stage, digging deep into the vaults of blues/jazz antiquity. The result is an effortless take-no-prisoners-approach that wittingly captures the audience’s hearts.
SUGAR BLOOD JINX
is Eric Waxwood who uses finger-picking and a slide on a National Steel Guitar and sings lead vocals;
Matt Murphy who plays an upright bass and sings background vocals; and
Scott Pittman who plays an old 1920‘s ‘traps’ drum kit and sings background vocals.