Calendar
Traditional Blues band based in Boston MA. GA-20 plays 50’s & 60’s heavy blues music featuring Matthew Stubbs (Charlie Musselwhite band)-Guitar, Pat Faherty-Vocals & Guitar and Chris Anzalone-Drums.
check out the facebook event HERE
Influences include: Muddy Waters, Howlin’ Wolf, Little Walter, Charlie Musselwhite, Freddie King, Paul Butterfield, John Lee Hooker, Magic Sam, Jimmy Reed, Sonny Boy Williamson II, Bo Diddley, Chuck Berry, Sonny Boy Williamson I, Big Joe Williams
Aaron Perrino of The Sheila Divine
The Sheila Divine formed in 1997 and played their first show on July 4 at The Middle East in Cambridge, Massachusetts. The lineup consisted of singer, songwriter, and guitarist Aaron Perrino, bassist Jim Gilbert, and drummer Shawn Sears. All three had met in college at State University of New York at Oneonta, but each had ended up in Boston independently. They gained a loyal local following and went on to win the 1999 WBCN Rock & Roll Rumble.
Critics compare their sound to the band’s own heroes, mainly early 1980s post-punk. The band is most often noted for its loud/soft musical dynamic and Aaron Perrino’s soaring vocals, screaming in key one moment and howling a falsetto the next.
Holystone is a folk band from Boston . . . – check out the facebook event HERE – and give a listen HERE
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Born in Denver and raised in Massachusetts, Meaghan Casey grew up with a love for nature, music and traveling. Playing violin at a young age helped kindle this flame, and she got her first guitar at 13.
Her primary instruments these days are guitar and banjo (both five string and tenor) and her music has been categorized as Alternative Country/Folk/Americana.
“Vinyl record sales are at a 28 year high” – Fortune April 2016 – See/Hear for yourself at Sunday Spins – every Sunday – bring your records and take turns sharing your faves!
Dietrich Strause’s songs are a mix of timeless melody, literate lyricism, and a “virtuosic command of imagery.” (The Artery, WBUR) Strause released his new album How Cruel That Hunger Binds on August 26th, produced by Zachariah Hickman (Ray LaMontage, Josh Ritter), the next benchmark in his steady evolution as one of the most eclectic writers and performers coming out of New England. His newest collection of songs is found somewhere in the shadows of the likes of Randy Newman, Nick Lowe, and Paul Simon.
David Johnston – if you don’t know him, you have to stop by TOAD for Blue Monday – take a listen HERE where David talks about his influences and plays a bit of music –
Just look at the band; Dennis Brennan on harmonica, guitar and vocals. Tim Gearan on guitar and vocals. Steve Sadler on lap steel. Jim Haggerty on bass and Andy Plaisted on drums.
Check out a clip from one of their shows HERE – After making it thru Monday, YOU deserve a night out!
On 8/23/2016, Amber Casares lent her vocal talent to John Powhida International Airport – right here at TOAD – tonight she’s center stage . . .
take a listen HERE
The Blue Ribbons was formed by singer/songwriter/keyboardist James Rohr.
They have been building a base of devoted fans with their original and soulful music.
Described as
“Ray Charles and Tom Waits on a pirate ship with Sun Ra and Captain Beefheart,” they combine “upbeat disillusionment and celebratory fatalism with musicianship” – Charan Devereux; Boston Globe.
FANDANGO is as much a spiritual renewal as it is a reinterpretation of some of the best soul, blues, gospel, and Americana music ever written. With a loyal flock of followers (the flock that rock) to their weekly Wednesday night residency at TOAD in Cambridge, FANDANGO fuels frontman Fred Griffeth to lead this congregation into soul and R&B righteousness! For he is like a refiner of fire and he shall purify!
“Ask not for whom the Fandan goes. It goes for thee. On Wednesday donchaknow.” –
Echo Bloom is a New York based band led by vocalist, guitarist, and composer Kyle Evans.
Evans draws on his diverse background, including a stint focusing on electro-acoustic recording, a home-grown love of 1960s surf rock, and a deep and abiding passion for Rodgers and Hammerstein musicals.
The band is a potent configuration of musical talent, whose chemistry continues to build and grow … we sure are glad that TOAD is a stop along the way!
Grant Bloom was brought up learning classical piano; wedged between Dallas and Ft. Worth Texas. Much like a kid eating broccoli, he pushed it away, not realizing how beneficial the music was. Some years later, he was baptized into the world of jazz and from this, music began to tug at Grant’s sleeve. After being taught basic guitar chords from his father, and becoming comfortable in his vocal prowess, Grant began to craft songs.
“You guys put on a hell of a show, a lot of fun!” – Steve Morse, long time Boston Globe music critic and freelance writier on the Baker Thomas Band . . .
“A veritable Grand Ole Opry with a modern sense of humor….” (Music Connection Magazine)
Featuring:
Bruce Bartone
(acoustic and electric guitars; bass guitar, keyboards; backing vocals);
Mike Eigen
(lead and backing vocals, percussion, acoustic guitar, clarinet, ukulele, songwriting);
Shamus Feeney
(bass guitar, acoustic, electric, and resophonic guitars; percussion; lead and backing vocals);
Chris Gleason
(lead and backing vocals, mandolin, tenor banjo, acoustic guitar, percussion, songwriting);
Paul Stewart
(lead and backing vocals, accordion, acoustic and electric guitars, keyboards, harmonica, songwriting)
…and whenever possible:
Jakub Trasak
(fiddle)
Instant Treeline is a Brooklyn-based folk-rock band founded in 2016 by Will Leet, a musician and Chris Burns, a poet. The group’s songs are led by intricate lyrics and acoustic guitar soundscapes, juxtaposing the fast pace of life in New York City and the beckoning call of rural America. Hints of folk, pop, rock, country and Americana styles are found throughout the group’s work.
The group’s current rhythm section is made up of two jazz players — Dane Scozzari on drums and Jeff Koch on bass. The group often features Andrew Whitbeck on lead guitar, Tyler Campbell on back vox, vibes and guitars, and Stoddard Blackall on piano.
“When Mike Hastings isn’t playing at local venues such as Toad, he can often be found busking around Davis and Harvard Square. Next time you’re out, keep an ear out for the sound of guitar and a tambourine, and if you see Mike, stop and listen for a while. You just might leave a little warmer.” – Sound of Boston
Give a listen HERE
“Vinyl record sales are at a 28 year high” – Fortune April 2016 – See/Hear for yourself at Sunday Spins – every Sunday – bring your records and take turns sharing your faves!
Honey Talk is a fresh, innovative, and comfortable quartet that performs classic hits and inviting originals making you feel sweeter than honey.
Honey talk is:
Cody Nilsen – Guitar/Vocals
Steve Bunce- Bass/Vocals
Ben Blanchard – Keys/Vocals
Pat “Daddy” Dalton – Drums/Vocals
check out one of their songs HERE
David Johnston – if you don’t know him, you have to stop by TOAD for Blue Monday – take a listen HERE where David talks about his influences and plays a bit of music –
Just look at the band; Dennis Brennan on harmonica, guitar and vocals. Tim Gearan on guitar and vocals. Steve Sadler on lap steel. Jim Haggerty on bass and Andy Plaisted on drums.
Check out a clip from one of their shows HERE – After making it thru Monday, YOU deserve a night out!
“Eric George is one of the smartest songwriters in the entire indie folk scene and nobody knows it. That isn’t to say that nobody knows him—or, at least by this point he should have the entire state of Vermont on his side—but he wraps his way around the intricacies of his arrangements so deftly that one wouldn’t be mistaken, from a laymen’s perspective, to call his work ‘simple.'”
Shining Mirrors claim their genre is: dark garage lollipop
sounds intriguing to us –
you can give a listen HERE
“I still believe the lessons I learned when I was raised in a Roman Catholic household. Like, it’s harder for a rich man to get into heaven than for a camel to go through the eye of a needle.” – Michael Moore –
Celebrate Hump Day with Fandango
We are so excited to have Dharmasoul back at TOAD!
Drums, guitar & vocals are the backbone and energy behind the New Jersey based power-duo Dharmasoul . With Jonah Tolchin on guitar, Kevin Clifford on drums, this duo brings their songwriting and production chops to their new band. Audiences who’ve heard the two in concert look around to see who else is playing up on stage, due to the fullness of the sound and the sheer energy of these musicians, as they pour every bit of creativity and originality into their compositions, improvisatory performance, and expert musicianship.
A fantastic TOAD experience is in store!
BAKER THOMAS BAND “…kind of a musical Robin Hood, robbing freely from the classic roots of American music and bringing it back to the common folks.” – Billy Beard, Talent buyer/Boston Session drummer.
. . . tonight TOAD welcomes Organ in Orbit
Organ In Orbit is a jazz/funk organ trio from Boston, formed originally as a side-project of the Freelance Bishops leader/keyboardist, Jeremy Parker, back in 2004. Jeremy had a dream and a newly customized Hammond A-100, with a high-power Leslie cabinet and subwoofer he designed and built himself. With a smart selection of covers by artists ranging from the Meters to John Scofield,and styles ranging from shuffles to boogaloos to modern funk, the roots of the trio’s musical influence were growing wide and deep. And it certainly didn’t hurt to have a similarly deep bench of musical talent to contribute to this vision. On guitar, local luminaries like Justin Piper, Mike Mele, and Bruce Bartlett would be on call. And on drums, you’d likely see Benny Benson, Pete Maclean, or Steve Langone. After many years of regular gigs at their favorite local venues, the trio has developed a unique chemistry and dynamic musical interaction that truly engages the audience. Fast forward to 2017, and the band lineup has solidified and is working on brand-new original material composed by Jeremy, with a new album release eminent. Things are about to get interesting…
Come hear for yourself why this jazz-funk organ quartet from Boston is Out of THIS World!
Bees Deluxe is a full-tilt,
Their unique repertoire includes originals and re-interpreted 60s, 70s, and 80s covers from Billie Holiday, Miles Davis, Joe Zawinul, Charles Mingus, B.B. King, Kenny Burrell, Freddie King, Herbie Hancock, Albert King, Etta James, Muddy Waters, The Meters, Little Feat, Ray Charles, Jimi Hendrix, Roy Buchanan, Curtis Mayfield, The Butterfield Blues Band, Derek Trucks, Donny Hathaway, Amy Winehouse, Steely Dan, Etta James, ZZ Top, Robben Ford, Bonnie Raitt, Bobby ‘Blue’ Bland, SoulLive, Derek and the Dominoes, Robert Cray, Edgar Winter, among many others. Taking the road less traveled, they discover and share off-the-beaten songs and instrumentals and fuse them into their own original works. They dare to be risk-takers on stage, digging deep into the vaults of blues/jazz antiquity. The result is an effortless take-no-prisoners-approach that wittingly captures the audience’s hearts.
Ship of the Sun celebrates the music of the Grateful Dead with a fun, free-wheeling, danceable show that pays tribute to the sounds of rock & roll’s most unique band.
Ship of the Sun came together in 2015 around each member’s love of the songs, spirit, and improvisation adventurousness of the Dead.
Peter Wolf (formerly of the J Geils Band), whose brilliant Midnight Souvenirs—released in 2010—included David Johnston’s “I Don’t Wanna Know.” This song went on to become the second single from that album, and was performed on the David Letterman Show in June of 2010.
Just look at the band; Dennis Brennan on harmonica, guitar and vocals. Tim Gearan on guitar and vocals. Steve Sadler on lap steel. Jim Haggerty on bass and Andy Plaisted on drums.
Check out a clip from one of their shows HERE – After making it thru Monday, YOU deserve a night out!
Grant Bloom was brought up learning classical piano; wedged between Dallas and Ft. Worth Texas. Much like a kid eating broccoli, he pushed it away, not realizing how beneficial the music was. Some years later, he was baptized into the world of jazz and from this, music began to tug at Grant’s sleeve. After being taught basic guitar chords from his father, and becoming comfortable in his vocal prowess, Grant began to craft songs.
