Calendar
–Radio Boston’s Anthony Brooks
David Johnston is a songwriter, bandleader, and street musician based in Cambridge, MA. As veteran Boston Globe reviewer Steve Morse has noted, Johnston’s long-running residency (2003-2007) at Union Square’s former Tir Na Nog—the current Bull McCabe’s (where Johnston also played from 2008-2012)—would draw “the best local musicians to play his gigs… luring such Boston all-stars as [Duke] Levine and bassist Marty Ballou (who are both in [J. Geils’ frontman Peter] Wolf’s touring band), guitarists Chris Rival… Tim Gearan, Steve Sadler, and Steve Mayone, drummer John Sands (who tours with Aimee Mann) and bassist Richard Gates, who has played with Suzanne Vega.” In Morse’s words, these heavy hitters “mesh with Johnston’s loose but highly unique mix of swampy delta blues, subtle jazz, Dylan-steeped folk, and far-out psychedelia.”
SUGAR BLOOD JINX
is Eric Waxwood who uses finger-picking and a slide on a National Steel Guitar and sings lead vocals;
Matt Murphy who plays an upright bass and sings background vocals; and
Scott Pittman who plays an old 1920‘s ‘traps’ drum kit and sings background vocals.
A beloved fixture in the Boston music scene for more than 25 years, Tim Gearan has become a bonafide local music hero. His warm, raspy baritone, jaw-dropping guitar skills and wry, poignant songwriting have graced the bars, pubs, and music halls throughout New England, creating a loyal cult-like following.
The Blue Ribbons was formed by singer/songwriter/keyboardist James Rohr.
They have been building a base of devoted fans with their original and soulful music.
Described as
“Ray Charles and Tom Waits on a pirate ship with Sun Ra and Captain Beefheart,” they combine “upbeat disillusionment and celebratory fatalism with musicianship” – Charan Devereux; Boston Globe.
“Stan Martin is a keeper of the traditional country music flame. He’s a Don Rich/Danny Gatton-schooled Telecaster-loving guitar picker, a virtuoso who is not a showoff. And he’s a skilled writer and musician who is unabashedly, unapologetically country. Martin’s original songs have a moving, sometimes comic, honesty. He retains a romantic toughness, as with some of Waylon Jennings early 1970s tunes written before the outlaw stance became a circus act.” Rick Allen Vintage Guitar
FANDANGO is as much a spiritual renewal as it is a reinterpretation of some of the best soul, blues, gospel, and Americana music ever written. With a loyal flock of followers (the flock that rock), FANDANGO fuels frontman Fred Griffeth to lead this congregation into soul and R&B righteousness! For he is like a refiner of fire and he shall purify!
In 2009, when multi-award-winning singer-songwriters Amy Fairchild and Carla Ryder decided to combine their voices and join forces to start a band, Miriam was born.
Harmony singin’, lead vocal swappin’, ass-kickin’ fun.
. . . tonight TOAD welcomes Organ in Orbit
Organ In Orbit is a jazz/funk organ trio from Boston, formed originally as a side-project of the Freelance Bishops leader/keyboardist, Jeremy Parker, back in 2004. Jeremy had a dream and a newly customized Hammond A-100, with a high-power Leslie cabinet and subwoofer he designed and built himself. With a smart selection of covers by artists ranging from the Meters to John Scofield,and styles ranging from shuffles to boogaloos to modern funk, the roots of the trio’s musical influence were growing wide and deep. And it certainly didn’t hurt to have a similarly deep bench of musical talent to contribute to this vision. On guitar, local luminaries like Justin Piper, Mike Mele, and Bruce Bartlett would be on call. And on drums, you’d likely see Benny Benson, Pete Maclean, or Steve Langone. After many years of regular gigs at their favorite local venues, the trio has developed a unique chemistry and dynamic musical interaction that truly engages the audience. Fast forward to 2017, and the band lineup has solidified and is working on brand-new original material composed by Jeremy, with a new album release eminent. Things are about to get interesting…
Come hear for yourself why this jazz-funk organ quartet from Boston is Out of THIS World!
At the young age of seven, Van Gordon Martin started his musical journey.
Growing up in Chicago, his first job was polishing and stringing guitars in local music shop the Musicians Network. Van was discovered early on, and mentored by legendary Parliament Funkadelic and Talking Heads keyboardist, Bernie Worrell. This set the tone for his new musical existence.
Van Gordon Martin has been a veteran of the east coast music scene for over a decade, and is a part of Boston based Reggae collective Dub Apocalypse, Moroccan/Jazz/ Electronic group Club D’elf, Hip Hop Legend Big Daddy Kane’s Live band, Paul Wolstencroft of Slightly Stoopid’s Organically Good Trio, The Naya Rockers, and many others. He is also founding member of Spiritual Rez, a project witch he toured with extensively up until 2011.
“My goal is to share my story and love for guitar with the world. It has been always been the thing that makes me feel connected to the Spirit Realm. Rasta, Reggae, Soul, Jazz, Blues, Roots Music. It speaks the truth. Every artist is part of the building blocks of our social creative consciousness. I feel honored and blessed to share my ideas with anyone that will hear me. With every note we play with honest intention, we tear down a part of the injustices in the world. Love and music are indeed one. Music, it is our highest meditation”
“You guys put on a hell of a show, a lot of fun!” – Steve Morse, long time Boston Globe music critic and freelance writier on the Baker Thomas Band . . .
The MoonRaiders are a Western Swing band that combine elements of Jazz, Rock n’ Roll, Country, and Truck Driving music.
Award winning guitarist Chris Hersch (formerly of Girls Guns & Glory) leads this quartet of accomplished musicians, improvising and singing their way through an eclectic set that will please both the dancer and music aficionado.
Drawing on a unique repertoire often overlooked in the American Songbook, The MoonRaiders pivot between Bob Wills, Chuck Berry, Dave Dudley, Commander Cody, and original music, all in one show.
This band’s style is Honky Tonk Trucker Jazz and Rock n’ Roll!!!!
John Powhida International Airport is not an actual place as of this writing, but it may be someday. They are one of the most well known and respected bands in Boston.
“You guys put on a hell of a show, a lot of fun!” – Steve Morse, long time Boston Globe music critic and freelance writier on the Baker Thomas Band . . .
At its core, the Roots Rock Rebels are Clifford Carraha on keyboard and vocals, Mark Ferranti on bass and Gregg Perry on guitar. They embody reggae music with their virtuosic play and soulful vocals! They perform some great classic tunes and have a wonderful way of reggae-izing songs from other genres.
- SUGAR BLOOD JINX
is Eric Waxwood who uses finger-picking and a slide on a National Steel Guitar and sings lead vocals;
Matt Murphy who plays an upright bass and sings background vocals; and
Scott Pittman who plays an old 1920‘s ‘traps’ drum kit and sings background vocals.
FANDANGO is as much a spiritual renewal as it is a reinterpretation of some of the best soul, blues, gospel, and Americana music ever written. With a loyal flock of followers (the flock that rock), FANDANGO fuels frontman Fred Griffeth to lead this congregation into soul and R&B righteousness! For he is like a refiner of fire and he shall purify!
Todd Thibaud is a Vermont born, Boston based Singer-Songwriter whose songs are a slice of what life is really like…the pains and pleasures, love lost and life reborn. Using songwriters like Elvis Costello, Neil Finn, Johnny Cash and John Hiatt for inspiration, Thibaud has built a sound that is entirely his own. His music is meshed with elements of Americana, Folk, Country and Roots Pop Rock, making it seem at once familiar and new.
Saxophonist/ composer/ bandleader Charlie Kohlhase (b. 1956) has been part of Boston’s Jazz scene for over40 years. After studies with Roswell Rudd and Stan Strickland, Kohlhase moved to Boston in 1980. He formed the Charlie Kohlhase Quintet in 1989, a band that performed around New England and toured nationally for a dozen years. Charlie worked with the great Danish woodwind master John Tchicai off and on between 1993 and 2008, making three recordings along the way. He started his Explorers Club band in 2005, which has had a lineup of 5 to 9 players since and also leads the Saxophone Support Group, a woodwind octet that specializes in the music of Julius Hemphill, Steve Lacy and John Tchicai. As a sideman Kohlhase has been a member of Dead Cat Bounce, the Either/ Orchestra, the Makanda Project and the Mandala Octet. Over the years he’s performed with an array of players including Mahmoud Ahmed, Mulatu Astatke, Anthony Braxton, Cab Calloway, Leroy Jenkins, Oliver Lakeand Roswell Rudd.
Warren Smith:
Warren Smith was born in Chicago on May 14, 1934 to a musical family. He has played an astonishing array of music over his 7 decade-plus career. He has performed for composers John Cage, Harry Partch and Igor Stravinsky. He toured with Muhal Richard Abrams, Nat King Cole, Julius Hemphill, Janis Joplin, Sam Rivers, Max Roach’s MBOOM Percussion Ensemble and the Tony Williams Lifetime. Warren has recorded with Gene Ammons, Anthony Braxton, Jaki Byard, Gil Evans, Billy Harper, Makanda Ken McIntyre, Charles Mingus, Charles Tolliver and David S. Ware. As a busy studio musician for many decades he recorded with Count Basie, Aretha Franklin, Quincy Jones, Gladys Knight & The Pips, Carmen McRae, Van Morrison, Nancy Wilson and Stevie Wonder. Warren played in Broadway pit bands for many years and has made a handful of outstanding recordings with his Composers Workshop Ensemble. Having recently celebrated his 89th Birthday, Mr. Smith continues to be a force in music.
.
FANDANGO is as much a spiritual renewal as it is a reinterpretation of some of the best soul, blues, gospel, and Americana music ever written. With a loyal flock of followers (the flock that rock), FANDANGO fuels frontman Fred Griffeth to lead this congregation into soul and R&B righteousness! For he is like a refiner of fire and he shall purify!
The Blue Ribbons was formed by singer/songwriter/keyboardist James Rohr.
They have been building a base of devoted fans with their original and soulful music.
Described as
“Ray Charles and Tom Waits on a pirate ship with Sun Ra and Captain Beefheart,” they combine “upbeat disillusionment and celebratory fatalism with musicianship” – Charan Devereux; Boston Globe.
Boston Music Award–winning songwriter Abbie Barrett plays regularly in the New England area with her band, opening for such acts as the B-52s, Juliana Hatfield, Will Dailey, and Rhett Miller. The band features Mike Oram (guitar), Ed Valauskas (bass, production), and Rice Edmonston (drums and vocals).
Le Prestige is an attempt by Boston bassist Chris Forkey to create an instrumental music inspired by the jazz-sample heavy sounds of 90’s hip-hop, electronica and lounge, all performed live with just horns, upright bass, and drums.
At the young age of seven, Van Gordon Martin started his musical journey.
Growing up in Chicago, his first job was polishing and stringing guitars in local music shop the Musicians Network. Van was discovered early on, and mentored by legendary Parliament Funkadelic and Talking Heads keyboardist, Bernie Worrell. This set the tone for his new musical existence.
Van Gordon Martin has been a veteran of the east coast music scene for over a decade, and is a part of Boston based Reggae collective Dub Apocalypse, Moroccan/Jazz/ Electronic group Club D’elf, Hip Hop Legend Big Daddy Kane’s Live band, Paul Wolstencroft of Slightly Stoopid’s Organically Good Trio, The Naya Rockers, and many others. He is also founding member of Spiritual Rez, a project witch he toured with extensively up until 2011.
“My goal is to share my story and love for guitar with the world. It has been always been the thing that makes me feel connected to the Spirit Realm. Rasta, Reggae, Soul, Jazz, Blues, Roots Music. It speaks the truth. Every artist is part of the building blocks of our social creative consciousness. I feel honored and blessed to share my ideas with anyone that will hear me. With every note we play with honest intention, we tear down a part of the injustices in the world. Love and music are indeed one. Music, it is our highest meditation”