Calendar
Red Tail Hawk has opened for National acts such as G-Love, The Brew and Chris Duarte, to name a few. They’ve played major music festival in the region and sold-out shows at The Stone Church in Newmarket, NH and The Press Room in Portsmouth, NH.
Niall Connolly – “Disarming and beautifully crafted folk-pop.” – Chicago Tribune
more info soon
“Vinyl record sales are at a 28 year high” – Fortune April 2016 – See/Hear for yourself at Sunday Spins – every Sunday – bring your records and take turns sharing your faves!
Led by Lyle Brewer, Eleanor Bigsby takes you on a trip down memory [penny] lane with killer instrumental Beatles tunes!
David Johnston knows what you need at the beginning of the week . . . Blue Monday at TOAD!
The White Owls‘ Blues music + bevvies = big fun ! So simple ! ! !
In 2009, when multi-award-winning singer-songwriters Amy Fairchild and Carla Ryder decided to combine their voices and join forces to start a band, Miriam was born.
Harmony singin’, lead vocal swappin’, ass-kickin’ fun.
Country Folk for city folk. Born and raised outside of Boston, MA. Professional Amateur Musician, Multi-instrumentalist, Songwriter. Lover of cats. Grammatical bandit. I get more done in a bathrobe than most do in a suit.
yeah . . . Marc Pinansky had us at cats, too . . .
Fandango – it’s what’s for dinner . . . the heck with prince spaghetti day . . . use your noodle and get to TOAD!
Hailing from South Boston, Andrea Gillis is the real deal – a Northeast legend of rock, soul, jazz and blues. “She has been blessed with the pipes of Etta James and with the boozy swagger of Jim Morrison.” – Boston Globe
Tim Mann‘s original material mixes a heavy dose of 60s British pop (Beatles, Kinks, Rolling Stones) with a pervading undercurrent of American roots rock (Byrds, Dylan, The Band, Neil Young) to form a blend of contemporary nostalgia, in the vein of Tom Petty and Elliott Smith.
BAKER THOMAS BAND N. – A variety of eclectic Boston/Cambridge/Somerville musicians who come together to put on unforgettable shows.
LOS GOUTOS is:
Bruce Bartone
(acoustic and electric guitars; bass guitar, keyboards; backing vocals);
Mike Eigen
(lead and backing vocals, percussion, acoustic guitar, clarinet, ukulele, songwriting);
Shamus Feeney
(bass guitar, acoustic, electric, and resophonic guitars; percussion; lead and backing vocals);
Chris Gleason
(lead and backing vocals, mandolin, tenor banjo, acoustic guitar, percussion, songwriting);
Paul Stewart
(lead and backing vocals, accordion, acoustic and electric guitars, keyboards, harmonica, songwriting)
…and whenever possible:
Jakub Trasak
(fiddle)
Grant Bloom was brought up learning classical piano; wedged between Dallas and Ft. Worth Texas. Much like a kid eating broccoli, he pushed it away, not realizing how beneficial the music was. Some years later, he was baptized into the world of jazz and from this, music began to tug at Grant’s sleeve. After being taught basic guitar chords from his father, and becoming comfortable in his vocal prowess, Grant began to craft songs.
Stranger By Accident band interests: Craft beer, getting yelled at by Ryan Adams, fire escapes, heartbreak, homemade instruments, bourbon.
“Vinyl record sales are at a 28 year high” – Fortune April 2016 – See/Hear for yourself at Sunday Spins – every Sunday – bring your records and take turns sharing your faves!
Bees Deluxe is a full-tilt,
Bees Deluxe is a full-tilt,
A graduate of Bentley University, Greg Adams earned a degree in Management and Environmental Studies. He also pursued an extra-curricular music education outside of the classroom, training under professional artists who studied at the Berklee College of Music. His first gig was a student showcase at a local pub where he channeled stage fright into a passionate performance, and ultimately found his true calling.
“I saw them the other night at TOAD with a friend visiting from Austin. I’d say Tim Gearan is one of the best guitar players in town.” Sam Kornstein – Something’s Brewing
“Think-y, soulful lyrics paired with a beat you can dance to.” –Rolling Stone
Friends, we here at The Blue Ribbons Propulsion/Stagnation/Existential Laboratories would like to take a moment to say THANK YOU to all y’all who have been coming out to TOAD on Tuesday nights. It truly is a beautiful thing to be together sharing the moment, even if that moment is loud and confusing sometimes. Thank you for listening, dancing, loving it, hating it, ignoring it…the important part is that we are all agreeing to be together for a few hours being human.
“Stan Martin is a keeper of the traditional country music flame. He’s a Don Rich/Danny Gatton-schooled Telecaster-loving guitar picker, a virtuoso who is not a showoff. And he’s a skilled writer and musician who is unabashedly, unapologetically country. Martin’s original songs have a moving, sometimes comic, honesty. He retains a romantic toughness, as with some of Waylon Jennings early 1970s tunes written before the outlaw stance became a circus act.” Rick Allen Vintage Guitar
Hailing from South Boston, Andrea Gillis is the real deal – a Northeast legend of rock, soul, jazz and blues. “She has been blessed with the pipes of Etta James and with the boozy swagger of Jim Morrison.” – Boston Globe
“You guys put on a hell of a show, a lot of fun!” – Steve Morse, long time Boston Globe music critic and freelance writier on the Baker Thomas Band . . .
TOAD is thrilled to welcome back Driftwood Soldier . . .
Growling and crooning, muttering about lost love, brimstone,
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“You know that quiver? The one you get when someone’s voice cuts deep into you and sends quakes throughout your body…Rachel Sumner has that voice.”
-Red Line Roots |
“Comanchero’s country-funk thunder melds a rambling jam sensibility with genuine boot-stomping twang. Shades of Widespread Panic, CAKE, and Wilco in these feverish Cactus Rock rhythms.” – Relix Magazine
Bring your vinyl over for a spin!
The Modern Ruins is Andy Bopp and Ken Schopf with Niall Hood
Andy: Vocals, Baritone Guitar, Guitar
Ken: Cocktail Drum Kit, Percussion, Backing Vocals
Niall: Bass
More on David Johnston: You’re rushing through the city streets, maybe late for an appointment, distracted by your life’s many obligations, and you blow right past a street musician, hard at work. And you stop. And you listen. And you enter the moment and think, ‘Wow, this guy can really play.’
