Calendar
Bees Deluxe is a full-tilt,
Their unique repertoire includes originals and re-interpreted 60s, 70s, and 80s covers from Billie Holiday, Miles Davis, Joe Zawinul, Charles Mingus, B.B. King, Kenny Burrell, Freddie King, Herbie Hancock, Albert King, Etta James, Muddy Waters, The Meters, Little Feat, Ray Charles, Jimi Hendrix, Roy Buchanan, Curtis Mayfield, The Butterfield Blues Band, Derek Trucks, Donny Hathaway, Amy Winehouse, Steely Dan, Etta James, ZZ Top, Robben Ford, Bonnie Raitt, Bobby ‘Blue’ Bland, SoulLive, Derek and the Dominoes, Robert Cray, Edgar Winter, among many others. Taking the road less traveled, they discover and share off-the-beaten songs and instrumentals and fuse them into their own original works. They dare to be risk-takers on stage, digging deep into the vaults of blues/jazz antiquity. The result is an effortless take-no-prisoners-approach that wittingly captures the audience’s hearts.
“Vinyl record sales are at a 28 year high” – Fortune April 2016 – See/Hear for yourself at Sunday Spins – every Sunday – bring your records and take turns sharing your faves!
Telescope is one of Andrew Stern‘s projects – He came up with the name because the band is designed around the Telecaster guitar.
When the question is posed to guitarists, “If you could have just one guitar, what would it be?”, polls show that an overwhelming number of guitarists reply, “a Telecaster”. I rank as one who would answer exactly the same. The telecaster is a versatile tool which can cover a lot of ground, but more importantly, it changes the way I approach and play the instrument. Inspired by my own teles and by some telecaster playing guitar heroes of mine, I’ve designed a band around the guitar itself, appropriately titled “Telescope”. A mix of originals and covers, it’s a little bit country, a little bit rock and roll and more than a little bit undefined.
Oh – and besides, Andrew . . . the other names should also “sound” familiar:
Andrew Stern: guitar
James Rohr: keys
Greg Loughman: bass
Mike Connors: drums
Peter Wolf (formerly of the J Geils Band), whose brilliant Midnight Souvenirs—released in 2010—included David Johnston’s “I Don’t Wanna Know.” This song went on to become the second single from that album, and was performed on the David Letterman Show in June of 2010.
Just look at the band; Dennis Brennan on harmonica, guitar and vocals. Tim Gearan on guitar and vocals. Steve Sadler on lap steel. Jim Haggerty on bass and Andy Plaisted on drums.
Check out a clip from one of their shows HERE – After making it thru Monday, YOU deserve a night out!
The Boston Globe on The Franc Graham Band:
“Immensely Underrated… cool and commanding… an unusually rich blend of singer-songwriter rock…”
The Blue Ribbons was formed by singer/songwriter/keyboardist James Rohr.
They have been building a base of devoted fans with their original and soulful music.
Described as
“Ray Charles and Tom Waits on a pirate ship with Sun Ra and Captain Beefheart,” they combine “upbeat disillusionment and celebratory fatalism with musicianship” – Charan Devereux; Boston Globe.
FANDANGO is as much a spiritual renewal as it is a reinterpretation of some of the best soul, blues, gospel, and Americana music ever written. With a loyal flock of followers (the flock that rock) to their weekly Wednesday night residency at TOAD in Cambridge, FANDANGO fuels frontman Fred Griffeth to lead this congregation into soul and R&B righteousness! For he is like a refiner of fire and he shall purify!
“Ask not for whom the Fandan goes. It goes for thee. On Wednesday donchaknow.” –
“happy songs for miserable people” – Melvern
check out a fan fave “Sleepy Eyes” – recorded right here at TOAD
Press:
“You guys put on a hell of a show, a lot of fun!” – Steve Morse, long time Boston Globe music critic and freelance writier on the Baker Thomas Band . . .
Traditional Blues band based in Boston MA. GA-20 plays 50’s & 60’s heavy blues music featuring Matthew Stubbs (Charlie Musselwhite band)-Guitar, Pat Faherty-Vocals & Guitar and Chris Anzalone-Drums.
Influences include: Muddy Waters, Howlin’ Wolf, Little Walter, Charlie Musselwhite, Freddie King, Paul Butterfield, John Lee Hooker, Magic Sam, Jimmy Reed, Sonny Boy Williamson II, Bo Diddley, Chuck Berry, Sonny Boy Williamson I, Big Joe Williams
Electric Heaters are a instro/surf/spy band from Boston. Lead by Matt Heaton, you can check out the full band quartet, trio, or the “semi electric” duo. Surf’s up.
Lady Lupine is a Boston based soul and rock band that delivers thrilling performances of original and covered music. Their sound is a unique blend of poignant lyrics, robust rhythms and alluring melodies. Drawing inspiration from artists like Stevie Wonder, Hiatus Kaiyote, Erykah Badu and Santigold, Lady Lupine creates an engaging experience while cultivating visceral connections through sound.
– Vinyl Lovers Unite! 3-8pm every Sunday!
Sign up on the list and play two songs each turn.
le Prestige is an attempt by Boston bassist Chris Forkey to create an instrumental music inspired by the jazz-sample heavy sounds of 90’s hip-hop, electronica and lounge, all performed live with just horns, upright bass, and drums. “Repertoire”, finished in 2012, also features Scott Getchell on trumpet, Kit Buckley on tenor sax, John Glenshaw on drums, and Jim Hobbs on alto sax.
David Johnston – if you don’t know him, you have to stop by TOAD for Blue Monday – take a listen HERE where David talks about his influences and plays a bit of music –
Just look at the band; Dennis Brennan on harmonica, guitar and vocals. Tim Gearan on guitar and vocals. Steve Sadler on lap steel. Jim Haggerty on bass and Andy Plaisted on drums.
Check out a clip from one of their shows HERE – After making it thru Monday, YOU deserve a night out!
The Revs are Andrea Gillis, Jen D’Angora (aka Jenny Dee), Chis Cote, Chris Anzalone and Ed Valauskas. They enjoy and perform R&B, soul, gospel and other musical stylings.
Lonesome Letters to the Land I Loved is the debut EP from Maryland singer songwriter Tom Wyatt. Tom has made waves in and around the Western Maryland music scene for a few years now, culminating in this collection of travels and reflections on coming of age in the twenty first century.
His debut record, backed by a slew of veteran musicians, blends the humility of folk music, modern pop sensibilities, and the tragic lonesome sound of country music that has shaped American men and women for nearly a century. Between the sheer precision of his sound, and lyrical ability, Wyatt is undoubtedly an act to keep an ear out for.
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FANDANGO is as much a spiritual renewal as it is a reinterpretation of some of the best soul, blues, gospel, and Americana music ever written. With a loyal flock of followers (the flock that rock) to their weekly Wednesday night residency at TOAD in Cambridge, FANDANGO fuels frontman Fred Griffeth to lead this congregation into soul and R&B righteousness! For he is like a refiner of fire and he shall purify!
“Ask not for whom the Fandan goes. It goes for thee. On Wednesday donchaknow.” –
Born in collaboration, The Living Wage are a roots trio comprised of Frank Drake (Bag Boys, Hashtag Hoedown), Paul Dilley (Girls Guns & Glory), and road tested troubadour Greg Klyma. Strong original songs and choice cover material are delivered in 2- and 3-part harmony. The rhythmic interplay of Dilley’s doghouse bass and Klyma’s solid chop on the back beat lay the foundation for Drake’s fiery mandolin soloing. Fans of the music of John Hartford, Tom Petty, Hank Williams, and The Grateful Dead know that everybody needs a Living Wage.
Running with the Dr. Seuss notion that clever rhymes can woo pretty much anybody, Pat & the Hats are conquering the local music scene one swooning fan at a time.
BAKER THOMAS BAND “…kind of a musical Robin Hood, robbing freely from the classic roots of American music and bringing it back to the common folks.” – Billy Beard, Talent buyer/Boston Session drummer.
With a repertoire of New Orleans standards, spirituals, contemporary music, and swing tunes, the Soggy Po’ Boys offer a lively blend of fun and insanity.
Toad welcomes Wild Yawp for the first time!
In the classic sense of the definitions; wild (adj): uncontrolled or unrestrained, especially in pursuit of pleasure…and yawp (n): a raucous noise; a cry; a shout, the band is aptly named!
Members Emily Bielagus (vocals, guitar), Sarah Solomon (vocals, bass) and Reba Hasko (vocals, percussion) create a sound that is a sort of Pixies-meets-Patsy Cline mash-up.
Ship of the Sun celebrates the music of the Grateful Dead with a fun, free-wheeling, danceable show that pays tribute to the sounds of rock & roll’s most unique band.
Ship of the Sun came together in 2015 around each member’s love of the songs, spirit, and improvisation adventurousness of the Dead.
David Johnston – if you don’t know him, you have to stop by TOAD for Blue Monday – take a listen HERE where David talks about his influences and plays a bit of music –
Just look at the band; Dennis Brennan on harmonica, guitar and vocals. Tim Gearan on guitar and vocals. Steve Sadler on lap steel. Jim Haggerty on bass and Andy Plaisted on drums.
Check out a clip from one of their shows HERE – After making it thru Monday, YOU deserve a night out!
Methuen-born and Kentucky/Brooklyn-raised, Ray Rizzo is a drummer, singer, and music maker who has been a galvanizing provocateur in numerous bands and recordings including Bob Weir, Yo Yo Ma, and Josh Ritter.
Tonight at TOAD, Rizzjam (essentially 3/4 of The Josh Ritter Band) plays a set of Ray’s songs, as well as inspired covers, accompanied by Zachariah Hickman on bass and Sam Kassirer on keys.
The Blue Ribbons was formed by singer/songwriter/keyboardist James Rohr.
They have been building a base of devoted fans with their original and soulful music.
Described as
“Ray Charles and Tom Waits on a pirate ship with Sun Ra and Captain Beefheart,” they combine “upbeat disillusionment and celebratory fatalism with musicianship” – Charan Devereux; Boston Globe.
Boston-based blues singer Toni Lynn Washington recorded and released Blues at Midnight for the Tone-Cool subsidiary of Rounder Records in 1995. Washington is considered Boston’s “queen of the blues,” where she has a long and storied history on the club scene.